thinking about archaeology

Welcome

Thanks for visiting. This site is about archaeology, and things that catch the interest of an archaeologist who is lucky enough to work in journalism: I often get to see and hear about amazing things before the rest of the world does, and to meet the people who find them. I work for my own company (Digging Deeper Ltd), and fortunately for now I am pretty busy, so what you will find here will be selective. If you want to see a photo full screen, click on the image. Unless otherwise stated, all photos are by me, and my copyright.

About me

I began my career as a professional archaeologist and museum curator, directing excavations at Stonehenge and elsewhere. I left that to write, photograph and travel (spending many months in Asia and the Pacific especially, but also in Africa, Madagascar, south and north America and Canada), and in the event to help open and run a groundbreaking and very busy vegetarian restaurant (Stones, in Avebury). We closed the restaurant in 2000, since when I have worked freelance as a journalist specialising mainly in archaeology, while continuing to conduct original research (I returned to dig at Stonehenge in 2008). I have written trade books such as Fairweather Eden (Mail on Sunday non-fiction choice) and Hengeworld; features for most UK newspapers and for magazines such as Wanderlust, BBC History, New Scientist and the American Archaeology; and research articles in peer-reviewed journals such as Nature, Antiquity, World Archaeology and Journal of Archaeological Science. In 2009 I was one of 2,400 people to take part in Anthony Gormley’s One & Other in Trafalgar Square, London, when for one hour I was able to create a museum of 700,000 years of British archaeology on the empty statue plinth (the “fourth plinth”). I edit British Archaeology magazine. I work frequently for TV and radio, both of which I hugely enjoy. Among TV projects in which I have both appeared and for which I have been consultant are Murder at Stonehenge for Channel 4 and Stonehenge Live! for Channel 5. I bring archaeology news and debate to arts and science programmes on BBC Radio 3 and Radio 4 and elsewhere, and have presented a couple of archaeology-themed series on Radio 4. I am a recipient of the British Archaeology Press Award, a fellow of the Society of Antiquaries of London, a member of the Chartered Institute for Archaeologists and a director of Antiquity Publications Ltd. I am an exhibited photographer, and passionate about arts in general.

See me on Instagram: A picture story from Stonehenge every day of 2015.

COMING UP

Devizes Museum, Wiltshire November 19 2016

I will be joining a panel of archaeologists to talk about current and future research at Avebury and Stonehenge, in a conference organised by Historic England and Wiltshire Council to celebrate 30 years of the monuments’ World Heritage Site status

 

                                                            

39 responses

  1. Mike,

    I am interested in finding out what happened to the Foamhenge Stonehenge model made for the Channel 5 TV programme. I know it was on ebay. Was it sold, and if so are you able to tell me who to? I am interested in trying to set up a sound installation using loudspeakers to recreate the acoustic environment of Stonehenge, but this would be really effective actually set inside the foamhenge replica somewhere. Anyway, if you can help at all I would be very interested. You can see my research into the acoustics of Stonehenge at soundsofstonehenge.wordpress.com and other work at AMBPNetwork.wordpress.com . I have been discussing my work with some of the Sheffield Stonehenge Riverside Project people, Mike PP, Ben Chan, Jim Rylatt and the like. If you have a moment and can drop me an email that would be great.

    I am a senior lecturer in music technology at Huddersfield University

    January 8, 2010 at 1:01 pm

  2. mikepitts

    I’m asked this every so often, and the best I can do is repeat what I recently said to a BBC TV drama producer. I so wish I could tell you where Foamhenge is and you could use it, but my understanding is that it was some time ago disposed of. It was carved from blocks of expanded polystyrene. It was on eBay, but despite a few claims made to the media, when it came down to it noone bought it (noone was ready to pay the transport cost). The haulage contractor who was temporarily storing it (in an outside railway cutting, I believe) eventually got rid of it. There do seem to be a few megaliths still around (I think the National Trust in Avebury may have one or two, and English Heritage had one at Stonehenge in 2008) but the bulk of it has gone. It was created by Crawley Creatures in a big shed in Bicester, for Darlow Smithson Productions. A lot of effort went into making it as true to life as we could achieve (bearing in mind we were imagining a complete monument and not a ruin, and that even now no detailed survey of the surviving stones exists), and it would have made a wonderful educational display inside some huge building. Sadly not to be.

    January 8, 2010 at 8:14 pm

  3. Carl Blom

    Hi! I want to know about the wereabouts of the “Mana”!? Is she still floating somewhwre?
    I am a very interested hobbyhistorian!
    Carl Blom, Sweden

    February 8, 2010 at 1:40 am

  4. mikepitts

    That was a question I asked myself some years ago. The last Routledge owner entry in the Lloyds register of yachts was in 1919, and in 1920 the owner is listed as the Earl of Dundonald. In 1923 she goes to DC Klugman, and in the last Lloyds entry (1925) she is attributed to DC Klugman of Rua Theophalo, Ottoni, Rio de Janeiro. J van Tilburg (Among Stone Giants, page 204) says she was destroyed by fire under Klugman’s ownership on September 1 1923.

    February 8, 2010 at 11:23 am

  5. Wonderful to run across your blog this a.m., Mike. It’s been a number of years since reading Hengeworld – and your kind response when I emailed thanks c. 2003. Exciting news this morning about the boy with the amber necklace. Thanks again for your fine work. Helps keep rustics out in the provinces like ourselves informed.

    parrish, florida

    September 29, 2010 at 1:51 pm

  6. Paula C Yates

    I was wondering if Silbury Hill might be in a place from where, at the top of the hill, a voice or trumpet like instrument could create echoes bouncing back from the surrounding hills. Also, is the path which winds up the side contemporary with it’s building, or do you think it had another way up.

    October 30, 2010 at 6:44 pm

  7. Vincent Powers

    Hello Mr.Pitts

    I was watching the PBS program Nova “Stonehenge” that you were a part of, I was watching the gentleman who were trying to move the weight of a large stone with a bearing type rail, which they were have some problems, the hold time I said “its too complicated”, you even said the same thing, but I don’t think that they were not all wrong, especially the “jumping jack” shape stone balls, that’s when I remembered about a hobbyist (Wally Wallington) who’s hobby is to move large 10 ton concrete blocks and even 15 ton barn by him self.
    Maybe the pointed balls where used like machinist’s jacks or points, being a Tool Maker, tradesmen use them too hold up odd or rough shape weldments/casting to be machined. Wally shows moving a stone on a flat surface, but these jumping jacks stone could have been used on a flatten notch timbers.

    Anyway please take a look.
    Vincent, Canada

    W.Wallington has a website:

    “The Forgotten Technology” http://www.theforgottentechnology.com/newpage1

    You tube: http://www.youtube.com/watch?v=pCvx5gSnfW4&feature=related

    November 17, 2010 at 4:05 am

  8. Bob Jenkins

    Hello Mike. As another reader mentioned above, I too recently came across your site- with great excitement, I might add! I have read and re-read Hengeworld to the point where my copy needs to be laid to rest. In my opinion, humble though it is, of my library of Stonehenge-related books (and there are nearly 30 so far), yours is the ‘cleanest’, and most accurate (again, i.m.o) of the lot. It has become my reference for all the others.

    I see Hengeworld quoted by others as well, none the least Dennis Price of the wonderful Eternal Idol site. http://www.eternalidol.com/

    There is an actual point to all this! Have you perhaps heard any news concerning more detailed work at blue-henge ? In particular, have there been any casts made of the stoneholes, to compare to the dolerites standing just over 1.5k away ? There was much made that this was likely the site from whence the ‘extra’ bluestones were ‘stored’: it would be wonderful to have this confirmed.

    with kind regards,
    Bob Jenkins,
    Charlottetown, PEI
    Canada

    January 26, 2011 at 2:31 pm

  9. mikepitts

    Glad you liked Hengeworld Bob, though it’s getting out of date almost by the day now (I like to think that just about everything in the paperback edition stills stands, but there is much to add from new work; the only bit that needs to be completely rewritten is about the sequence of megaliths at Stonehenge, which I’ve written about elsewhere on this site).

    No physical casts were made of the pits at “Bluehenge”, but a 3D laser scan was taken of the topography, which could I imagine be used to make a physical model.

    February 1, 2011 at 4:54 pm

  10. Julia Marr

    Hi Mike, just watching the Stonehenge program on SBS tonight. Surely, if the natural runway linking the stonehenge monument with the river, as if froze and filled with ice, may have allowed a very large stone to be moved over it. Ice is slippery.
    Makes sense, Possible. Thanks for your study,
    Julia Starr, Australia

    July 31, 2011 at 11:28 am

  11. mikepitts

    It sounds a plausible idea, Julia – at least many people seem to think so, and have written to me suggesting it (quite why now, I don’t know). In practice, however, I think ice is very unlikely to have played any significant role in stone moving, for several reasons.

    The principal one is that it was never cold enough for the ground to be sufficiently frozen for this to work. There was a time when Salisbury Plain was tundra, and the ground permanently frozen. But the last permafrost in southern England melted well over 10,000 years ago, and the first time anyone moved stones to Stonehenge was only 5,000 years ago (as we now think; we used to say 4,000 or so years ago, but now most of us think the first stones arrived at the beginning of the site’s history, which is well dated – so we’re unlikely to say that stones arrived before then).

    Essentially the weather when Stonehenge was built was not that different from today’s. There might have been the odd very cold winter, and standing water could have frozen to a depth of 10cm or more, but as today that would have been rare – and hardly something that could be planned into a complex organisational schedule that is likely to have run over several years, and been driven by politics and religion (when did they ever wait for weather?).

    Even an exceptional ice cover would have done no more than make things worse for moving a stone. The big ones are massive, and would have smashed through the ice, pushing out the mud underneath, while people and animals trying to do the moving would have slithered on the mess. And this is when it’s very cold, the days are short and fresh food supplies are short.

    You need to remember too that the stones had to be moved for much greater distances than the length of the Stonehenge Avenue, or the valley leading up from the river.

    If there was a season for moving stones, it’s more likely to have been late summer or early autumn than winter. The days are still long, it’s comfortable to be outside, and wild foods are in good supply. The cereal harvests will all be in, and the labour demands of farming are at their lowest. This may also have made it easier to access the best routes, as there would no longer be crops on the ground that, other things being equal, would need to be avoided.

    July 31, 2011 at 1:21 pm

  12. Nik

    Hey Mike

    I’m currently writing on an essay about “what different interpretations of Star Carr can tell us about the mesolithic as a discipline” and stumbled upon one of your very first articles. I enjoyed reading it but was surprised that this was the only time that you took part in the discussion.
    Now that we know that Star Carr is not just the small area that Clark excavated, do you have any new thoughts about it?
    Have you ever tried to actually do some more excavations in that area to find evidence for a larger settlement or tried to encourage someone to search for it?

    Cheers
    Nik

    December 9, 2011 at 4:22 pm

    • mikepitts

      I’m horrified to see I wrote that paper (1) over 30 years ago! And you’re right, I haven’t contributed to the continuing debate, and neither have I excavated there. But I have followed it all with interest, and perhaps one day I might return to it, as I do think there are things to say. Not the least of which is to repeat the driving point behind my article, which is often missed.

      Things are different now, but when I wrote about Star Carr, Grahame Clark was still active, and had recently published his own reassessment of his original dig (2). I was a student, and Star Carr and Clark were both new to me – and I thought both were wonderful! No one had apparently written about the site other than Clark himself, and I was warned that to do so was treading on hallowed ground. Yet there were fundamental flaws in his argument, so cleverly presented, that the site was a red deer hunters’ winter camp.

      Most of the antler – the key seasonal indicator in Clark’s thesis – was industrial waste or hunting kit, so the deer could have been killed at any time. Stripping out such antler from calculations had a big effect on the relative amounts of meat supposedly contributed by different animals. This misrepresentation of the significance of red deer at the site was also noticed by Seamus Caulfield, and unknown to each other, we must have been writing about it at the same time (3).

      The waterside location was (of course rightly) treated as the reason why so much organic material survived at Star Carr. But why the stuff should have been in the water in the first place was never questioned. This was what most puzzled me about Star Carr. It was hearing Henry Hodges (who was a lecturer at the London Institute then) talking about antler technology, and how antler is commonly soaked in water to soften it for working, that gave me a possible solution: it was an industrial site where water was needed. It made sense that hide working might also have benefited from the water, as well as antler (and who knows what else?). The hides could have been there just for cleaning, but I added the chemical treatment – perfectly plausible – because World Archaeology had a chemistry themed issue coming up, and I’d heard the editor was looking for articles.

      In all the stuff since written about Star Carr, I have yet to see a sensible alternative explanation for why there should be so much industrial waste, gathered together in a relatively small area, in or close to the water.

      References

      1 “Hides and antlers: a new look at the gatherer-hunter site at Star Carr, North Yorkshire, England”, World Archaeology 11 (1979), 32-42

      2 “Star Carr: a case study in bioarchaeology”, Addison-Wesley 1972

      3 “Star Carr – an alternative view”, Irish Archaeological Research Forum 5 (1978)

      December 10, 2011 at 5:38 pm

      • Nik

        Thank you for the quick reply!
        I was already wondering how you made it into World Archaeology being that young AND going against Clark… Did you get any harsh comments about your article after it was published?

        December 10, 2011 at 5:54 pm

  13. mikepitts

    I was too shy (or wise) to ask Clark what he thought of it, so I never knew, but I can’t imagine he was impressed! I remember there being a lot of positive interest from outside the UK.

    December 13, 2011 at 7:22 pm

  14. Peter Frazier

    Hi Mike,

    I have been doing some research on the geometry of Stonehenge. I am trying to find the most accurate survey thet defines the the stones and holes that form the concentric circles. Along with the elements that are within the Sarsen Circle. I have found much on line. However I wanted to get the most accurate. I have come across the surveys done by English Heritage. Is it possible to get a copy of those surveys? I have just found your website and am enjoying the read. If you could help I would greatly appreciate it.

    Peter

    January 4, 2012 at 7:48 pm

  15. mikepitts

    I had to do a bit of asking around about this (my thanks to Dave Field, amongst others). As I suspected, the best (possibly the only?) modern surveys of Stonehenge are owned by English Heritage, including a survey of the stones it commissioned from MJ Rees and Co in 1989.

    The Historic Plans room archives at the National Monuments Record, Swindon (NMR), should be able to supply digital or paper copies for a basic fee: contact details here. A photogrammetric survey carried out in 1993 by Paul Bryan, English Heritage, and a recent scan carried out by Greenhatch Ltd should be available before too long.

    As far as published plans go, the best source (as for so much of Stonehenge archaeology) is Cleal et al 1995 (Cleal R, Walker, K & Montague, R 1995. Stonehenge in its Landscape: Twentieth Century Excavations. London: English Heritage Archaeological Report 10). This study was prepared by Wessex Archaeology, but they used existing surveys by English Heritage, and there are some very nice fold out plans.

    January 9, 2012 at 9:39 pm

  16. Peter Frazier

    Thanks Mike.

    I will follow up on these leads.

    January 9, 2012 at 11:26 pm

  17. Just a quick personal note to say Hi Mike! Just finished watching one of your great TV programmes here in Australia, and seeing you reminded us of your visit to Tonga all those years ago. Very best wishes, Diana, Steve and Pesi Brown from ‘Otea

    July 19, 2012 at 1:01 pm

    • Diana, lovely to hear from you, I hope you are all well. And I hope your memories of Tonga are all as good as mine!

      October 29, 2013 at 7:57 pm

  18. Bob Jenkins

    Hello Mike, I would like to express my gratitude for your wonderful book, Hengeworld. My copy has a permanent place on my headboard! Although my Stonehenge book collection is substantial, there are only two I read and re-read, Hengeworld and Stonehenge in its Landscape.

    Love the site, very well thought out, simple and clean interface, yet rich in content.
    Cheers from Canada🙂

    August 20, 2012 at 10:58 pm

    • Bob Jenkins

      Apologies Mike, in my haste to scribble down a few lines I did not bother to scroll back… seems I have posted in the recent past.

      While I am here (again!), I would ask if you have any plans to ‘update’ Hengeworld ? WIth so many wonderful new discoveries, the work of the SRP, I imagine there is enough material to fill a new version, notwithstanding MPP’s new book.

      Cheers

      August 23, 2012 at 3:27 pm

  19. Mick Reed

    G’day Mike,

    It’s a long time since we went wandering around sites in the fields around Bognor together. You may recall that I was living in a house full of Australians back then. Well now I live in Australia, am retired,,and am catching up with the interests of my mis-spent youth.

    After reading Francis Pryor’s books, and noting his several mentions of your work, I found a copy of Hengeworld in a secondhand bookshop a couple of days ago. I must say it’s very good and I’m glad to see your hard work back in the ’70s came good.

    All the best

    Mick Reed

    September 2, 2012 at 6:25 am

  20. Pingback: Cooking with Stones « what? bread?

  21. John Burnett

    Mike,

    There is a drawing of a magnificent handaxe from the Boxgrove dig in your Fairweather Eden book. I wanted permission to use it in my forthcoming book – The Return: Human Nature and the Regeneration of Eden. The publisher apparently no longer exists. I found an artist named Julian Cross in google, but he isn’t the same artist that did the drawing. I can send you hardcopy of it if I have a P.O. box. Given your work, you may actually be interested in my book.

    All the best,

    John Burnett

    Sept. 2, 8PM Pacific time

    September 3, 2013 at 4:11 am

    • mikepitts

      Julian Cross’s fabulous drawing of that handaxe (like his other artefact drawings in the book) was prepared for the Boxgrove Project, so I suggest you contact them. They have a website run by Matt Pope at http://boxgroveproject.wordpress.com, where you can find contact details (check Stone tools for an extraordinary photo of a table-full of axes). Much of the important work at Boxgrove has still to be published in academic detail.

      September 3, 2013 at 8:59 am

  22. anthony Mason

    Is it possible Stonehenge is the Round Table of Legend(it does look a bit like one), are the re excavated bone fragments of 50ish individuals from the blue stone holes of Stonehenge 1 the knights of the Round Table, with the two towers of merlins mound and silbury castle we need to re examine Arthurian legend in an earlier Neolithic age, I have some concerns about the level of security of these ancient relics, they could be a lot more valuable than thought, if the university were slack and they get stolen they are likely to be the most unpopular scientists ever. They should certainly be in a safe and with alert security. I will email the university my concerns, it maybe a tenuous thread but if I can follow others can and the hunt for excalibur should absolutely not be left to the bounty hunters

    October 19, 2013 at 1:05 am

  23. Geoff Melling

    Hi Mike
    I too watched the show “Stonehenge” and I would like to make a comment.
    Currently I am building a BlueJay sailboat in Australia – upside down.
    Bending over and turning my head to see the right side view I noticed
    how much this boats bottom resembles an ice sled – water is just melted ice right ?
    So I think I managed to somewhat get inside the head of the designer
    (I didn’t see snow until I was in my early fifties)
    And to understand ancient peoples we have to look at a problem
    from their “workman like” view.

    Not that I ever wanted to build a Stonehenge but if you asked
    me to move those stones for you – and armed with my basic idea
    of boatbuilding – I would first cut the FLAT keel and mount the stone on it,
    using logs I would roll to the mudflats and begin building the boats sides
    around it on the low tides.
    – The length of the keel spreading the 2 tonne weight easily
    I would never go to sea in it, instead I would have it tethered to the shore
    with ropes and walk it around to the river (rowers would still be necessary)
    Arriving at the site I could dismantle the boat and use the keel to
    slide the stone – or other purpose – whatever
    Remembering these people might have worked after the years harvest and
    got the job done over a number of years.

    No problems – if I had the time me. my wife and our two sons could get the job
    done eventually but if we had some psyched up believers to help it
    would be a no brainer !

    The more I bother to think about the ancients the more obvious their work
    becomes. Where there is a will there is a way.

    By the way I know this henge pre-dates the druids but the term
    “knowing the oak” (if that’s a real term) probably refers to the working of the oak
    for a result like this and not some mysterious knowledge they possessed.

    I won’t looses sleep over it any way🙂
    all the best,
    Geoff Melling

    May 4, 2014 at 10:04 am

  24. Neil Wiseman

    Hi Mike,
    I am writing a new book about Stonehenge and you have two photographs that I would very much like to use. The first is of Aubrey-7, opened during the 08 excavation, and the other is of you and Richard Atkinson crouched at the road’s-edge dig for Stonehole-97 in 1979.
    How would I go about obtaining terms/permission for these images?
    Best wishes,
    Neil Wiseman

    June 11, 2014 at 3:05 am

  25. Caroline Burnham

    Dear Mike
    I see you are speaking at the Theatre Royal Bath in a weeks or so’s time. Unfortunately we can’t manage to get there. Are you speaking anywhere else in the UK in the next few months please? Best Wishes Caroline

    October 26, 2014 at 10:02 am

    • mikepitts

      That’s the last event scheduled for this year, Caroline. If you click on the Richard III tab at the top of the page, you’ll find a list of what I’m doing. Next up after Bath is an interview to be broadcast on NPR across the US, which you will be able to listen to online; and I have a couple of talks lined up for next year. Thanks for asking. Mike

      October 26, 2014 at 1:26 pm

  26. Bernie Skoch

    Mike,

    I just wanted to post how very much I enjoyed your appearance on a video I only recently viewed, “Mysteries–The Stonehenge.” I am sure it is wuite old, but it was very interesting.

    My dear wife and I just last week fulfilled a lifelong ambition and visited Stonehenge. It was fascinating, and viewing the TLC video in which you appeared made it even more interesting. Thank you!

    Bernie Skoch
    Arkansas

    April 24, 2015 at 7:49 pm

    • mikepitts

      Thanks Bernie! I’m pleased you were able to see Stonehenge after the recent on-site changes, it is so much a better experience now than it was.

      April 24, 2015 at 9:21 pm

  27. JJ Evendon

    I have always been a fan of your documentaries on Stonehenge.

    However, I am always amazed that the best brains in the world have yet to solved the issue of ‘how the stones were moved’.

    I am currently having a novel being written based on a storyline I wrote 30+ years ago. The story is about the last ever bluestone becoming lost and, therefore, why the purpose of Stonehenge was/could never be realised.

    How the stones where moved (not necessarily just the bluestones) I thought I’d share my thoughts on how this feat was easily accomplished.

    I hope you will find the attached ‘instructions’ on interest and would welcome any comment you may wish to make on my idea

    Stonehenge – a revolution in design

    (Explanation from my book being written: ‘Unsung hero’s)

    July 2015

    We’ll never truly know the purpose of Stonehenge, who built it and why. Even more so is the question how the stones were transported from their source. Was it aliens? I doubt it.

    Archaeologists and scientists, still argue to this day, how such a feat was possible – believing that they were dragged along on rollers over many miles. However popular this theory is, it remains a contentious and controversial subject to this day.

    Man may have invented the wheel, but it took Stonehenge for it to evolve from!

    If I was faced with such a monumental task, my idea would be simplistic in its execution. This is how, I believe, the Bluestones where moved:

    List of requirements:

    One large ‘Bluestone’ – a few tons is OK
    2 x heavy duty, very long continuous hemp rope
    Animal hides – enough to cover the stone
    Long leather bindings – lots and lots.
    Water – to soak the leather bindings
    Logs – enough to wrap around the stone
    a hot bed of ash
    A strong workforce

    Instructions:

    1 – Select stone to be transported. Remove from ground and set to rest on two supports, one each end, leaving enough room to gain access underneath.

    2 – Wrap stone with thick animal hide and tie with wet leather bindings. When the bindings dry, they will tighten the hide.

    3 – Make a bed of hot ash. Later, this is to be placed underneath the stone to dry out the binding securing the wood to the stone.

    4 – Place dry seasoned logs longitudinally to the upper surface part and fill in with smaller branches to make a semi circular cross section. Bind tightly with wet soaked leather or rope hemp. Allow to dry. Repeat several times until the bundle is solidly bound. This process may that a few days.

    4 – Roll stone 180 degrees and repeat.

    5 – Make two very long and strong ropes of hemp (or similar).

    Rope is made of individual lengths (with loops at each end) linked together to make one continuous loop. Any part of the rope that shows signs of breaking or breaks, during use, can swiftly be replaced.

    Along the rope, knots are tied. Sections are joined by passing each end through a loop and then locked using with a sturdy piece of wood – which is also used to help pull on the rope.

    The loops at each end of the rope also allows a large stake to be placed through to provide extra leverage needed to pull it up hill.

    6 – Wrap the rope around the stone once. This will cause the rope to self tighten when pulled.

    To move:

    1 – Pull on the continuous rope.

    2 – Direction is controlled by pulling more on one rope than the other.

    3 – To pull up hill: Insert long stakes through the joining loops of the rope. With the stake planted in the ground, pulling on the stake would draw the rope forward thus roll the stone.

    4 – To stop – let go.

    Although this idea has yet to be tried and tested, I see no logical reason why it would not.

    July 22, 2015 at 9:18 pm

  28. David Gouldstone

    Hello Mike

    May I say first of all how much I enjoy your blog (and books).

    I wonder if you have any thoughts on the authenticity (or otherwise) of the Grimes Graves Venus? I’ve recently written about it, in very amateurish style, on my blog, Icknield Indagations, The consensus seems to be that it’s a fake; I wonder if you have any insider knowledge of its story? And do you know if there are any scientific tests that might establish its status?

    Best wishes

    David Gouldstone

    August 22, 2015 at 4:38 pm

  29. Rupert Chapman

    Hi Mike: I don’t know whether you remember me from Usk in 1971. Since I last saw you, I’ve worked for the Palestine Exploration Fund, and then for the Middle East Department of the British Museum, from which I retired earlier this year. Helen and I visited Leicester Cathedral and the Richard III Centre this afternoon, where I found your book. I see you’ve done even better! Congratulations! P.S.: The book is a great read!

    September 4, 2015 at 5:50 pm

    • mikepitts

      Ah, the digging years! Hi Rupert, glad you liked the book. Things didn’t work out too badly for us, did they? Never a dull moment in archaeology!

      September 8, 2015 at 8:46 am

  30. NuitsdeYoung

    Just want to say how much I enjoyed your Richard III book (updated paperback)! The excavation has been a great thrill for me – have been to the Visitors’ Centre and the cathedral – as I never imagined he would be found. I’m glad to see you call out the lack of professionalism of Langley and co., which was just plain embarrassing and undignified. I’ve heard Richard Buckley speak about the dig, and Bob Savage is an old friend.

    September 22, 2015 at 6:31 pm

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