Peter Lord talks to British Archaeology about Early Man
The new British Archaeology has three great exclusives. I’ve already written briefly about two of them: new discoveries at Stonehenge, and some Roman pans buried with flowers which were preserved by the corroding bronze. Here’s the third. Last year I went to Bristol to talk to Peter Lord, co-founder of Aardman. We talked about archaeology, imaginary worlds and Aardman’s next film, Early Man.
We have every reason, on Aardman’s and director Nick Park’s track records, to expect this movie to be immensely popular. There aren’t enough archaeologists in the world to make a statistically significant difference to the audience, even if every one of them went to see it (or indeed if they all boycotted it). But I think most archaeologists will love it. A sort of ancient Britain with echoes of One Million Years BC, the Beano and Ealing comedy, Early Man will at last offer the chance for them to get enthusiastic about a film that doesn’t feature Indiana Jones. Peter Lord was a lovely host, chatting away while he modelled a clay figure.
The magazine also feature five major excavations, from the Calanais megaliths on the Isle of Lewis, to a Roman town in Norfolk with an unusual story, and early medieval natives, immigrants and changing times in north-east Scotland – Portmahomack.
I particularly enjoyed working with Alison Jane Hoare on her article about the Victorian/Edwardian archaeologist Harold St George Gray. He’s familiar to a handful of archaeologists for his work with General Pitt Rivers, and later his own excavations of neolithic sites. But he really deserves to be more widely known, and as the feature shows, there is an interesting life (with a personal tragedy) we hear little about – and there remains a story to be told. He was an extraordinary photographer, as I discovered when I arrived as curator of Avebury Museum in 1979, only a little after the National Trust had brought it Gray’s archaeological archive on a stone circles project. With the help of the National Trust and staff in Avebury Museum, I put together a portfolio of some of his photos for the magazine, most of them never published before.
With all the usual stuff, including photographer Mick Sharp’s new column and the annual Requiem feature, there’s a lot to read in the first British Archaeology of 2017.